It's February, and we're writing this from the shores of a frozen lake south of Stockholm.It’s been a busy 2016 so far, starting with a profile about Boho in New Scientist magazine, alongside our good friends from Coney, written by Stewart Pringle:
Boho Interactive’s tagline, “we fight dirty for science”, neatly conveys the company’s urgency. Much of its work features fighting talk and disruptive activity.The company has collaborated with the Stockholm Resilience Centre, a joint initiative of Stockholm University and the Royal Swedish Academy of Sciences. The centre researches new ways of governing and managing human activity, taking into account the complex needs of the surrounding environment. In other words, it is looking for ways of doing business that don’t trash the planet.It’s a grand mission, but it doesn’t necessarily need to be played on a grand scale. Boho’s projects include unpicking the systems that sustain a news stand in London’s Euston station. In its large-scale touring performance, Best Festival Ever, the company explores the complex interplay of processes in the management of a major music festival.
Go on, have a read.We spent a week in January in London with Forum for the Future‘s Systems Innovations Lab. Forum uses systems thinking to help businesses and large organisations tackle sustainability challenges, and we're hoping to work with them to develop a toolkit of games that they can use in their projects.
Right now we're undertaking a month-long development in Sweden. Working with Stockholm NGO Miljöverkstan, we're building a new game based on the Flaten nature reserve south of Stockholm.Flaten is a lake, surrounded by beautiful forest (oaks, pine, spruce, trees 500 years old or more), and a place where a lot of different groups intersect – swimmers and dogwalkers, itinerant workers camping in caravan parks, squatter camps in the forest, the nearby suburb of Skarpnäck…
Miljöverkstan want to try to capture some of the complexity of the region in an interactive format, so they’ve invited us over to map the system with them and turn it into a game experience, a platform for learning and conversation.This month we’re building a systems map and putting together a rough prototype of the show. We’ll be returning to Sweden in August and October to finish off the game, and present it for the first time to a Swedish audience.This is a big project, with a short timeframe, but it’s exciting to be applying the tools we developed through Best Festival Ever to a real-world system.Feel free to check out our process blog if you’d like to keep track of the creation of the work. As always, we’d love to hear from you with any thoughts, comments and ideas. And if you’re interested in any kind of collaboration or joint project, we’re starting to look towards 2017…
This is David, writing this at the end of our two week season of Best Festival Ever at the Street Theatre in Canberra. We are all pretty stoked with the last fortnight, feeling exhausted but energised at the same time. It's been a pretty delightful way to bring the show home to Australia.Back in 2008, the Street Theatre presented the first Canberra season of Boho's first show, 
The response from audiences was pretty lovely, and we had some really nice reviews, 
Myself, Nikki, Nathan, David and Rachel are all really delighted with the experience, and we're now looking for other opportunities to present the work in Australia.We're looking for any groups or organisations who might be interested in hosting a session of the work - festivals, museums, conferences, schools, universities, businesses and workplaces. If you have a room with a table and you think that Best Festival Ever might be a good fit for your event, please 
We are delighted to announce the lineup of guest scientists for the Street Theatre shows this August.Each performance of 
Okay so we are excited to announce that we will be bringing Boho's 
Following the conclusion of Big Day Out, Harvest, Future Music, Stereosonic, the Great Escape and Parklife Festivals, this might be your last chance to experience a music festival in Australia: jump on board.
David here with a final wrap-up note at the end of the first 